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Think of England Review

England, 1904. Two years ago, Captain Archie Curtis lost his friends, fingers, and future to a terrible military accident. Alone, purposeless and angry, Curtis is determined to discover if he and his comrades were the victims of fate, or of sabotage.
Curtis’s search takes him to an isolated, ultra-modern country house, where he meets and instantly clashes with fellow guest Daniel da Silva. Effete, decadent, foreign, and all too obviously queer, the sophisticated poet is everything the straightforward British officer fears and distrusts.
As events unfold, Curtis realizes that Daniel has his own secret intentions. And there’s something else they share—a mounting sexual tension that leaves Curtis reeling.
And when the house party’s elegant facade cracks to reveal treachery, blackmail and murder, Curtis finds himself needing clever, dark-eyed Daniel as he has never needed a man before…
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Catherine Hapka Interview

Catherine Hapka is one of the most prolific authors you may not know you know. Writing over 100 books as herself, and as a ghostwriter from the S.A.S.S. series to Nancy Drew, Star Power, HTTYD and more, she graciously took the time to answer my questions about her start, what makes a ghostwriter, and what’s coming next.
1. When did you begin writing, and what drew you to children’s books in particular?
I can’t remember ever NOT writing; I wrote little stories and plays as a child, and started several epic novels as a teenager. I also read everything I could get my hands on.
After studying English lit in college, I landed my first adult job as an editorial assistant in the children’s department of Bantam Books in New York. At that time we published lots of monthly mass market series, including Sweet Valley, Choose Your Own Adventure, The Saddle Club, and others.
A few years later after I’d left that job, the creator of The Saddle Club, the wonderful and generous Bonnie Bryant (who had been writing all the books herself to that point — on a monthly publishing schedule!), decided to bring in some ghostwriters to help out. She knew I knew the series, that I was interested in horses, and that I aspired to be a writer, so she gave me a shot at writing one of the first ghostwritten titles, which soon turned into many more. The rest was history!
As a teenager and in college I was convinced I’d end up writing literary novels and short stories. So while I always loved kids’ books, I guess you could say I ended up writing them somewhat by chance. However, kids’ books are so varied and fun that now I can’t imagine doing anything else!
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Instructions for Dancing Review

Evie Thomas doesn’t believe in love anymore. Especially after the strangest thing occurs one otherwise ordinary afternoon: She witnesses a couple kiss and is overcome with a vision of how their romance began . . . and how it will end. After all, even the greatest love stories end with a broken heart, eventually.
As Evie tries to understand why this is happening, she finds herself at La Brea Dance Studio, learning to waltz, fox-trot, and tango with a boy named X. X is everything that Evie is not: adventurous, passionate, daring. His philosophy is to say yes to everything–including entering a ballroom dance competition with a girl he’s only just met.
Falling for X is definitely not what Evie had in mind. If her visions of heartbreak have taught her anything, it’s that no one escapes love unscathed. But as she and X dance around and toward each other, Evie is forced to question all she thought she knew about life and love. In the end, is love worth the risk?
Yoon does it again with a swoon-worthy contemporary romance. I found Evie to be very relatable during this period of transition in her life. She’s cynical about love due to her father cheating and divorcing her mother. But it’s less anger and cynicism as feelings of loss, and nostalgia. She misses the person she used to be, the one who believed in love, and who thought her father was infallible. Also due to graduation coming, she doesn’t want her friendships or other relationships to change.
Evie also fears the pain as is common after these types of events. Heartache can be worse than a broken bone because with a broken bone there is a set time for when it will heal. Heartbreak can be forever.
The newfound curse she has to see the fate of other peoples’ love lives always end in heartbreak, fueling her desire to stay alone until X comes, and omg X is such a great romantic interest. I wanted him to be real. He’s funny and sweet and charismatic, and Evie with all her romance novel knowledge knows she’s falling for him after the patent one eyebrow smirk. Plus all the dance lessons together bring on the heat. Tango is the dance of lovers after all, and the cover illustrates that so well.
They were sweet together, but readers may be disappointed that their romance is more of a side story to Evie’s internal journey of seeing loving in the moment is worth it by itself.
My nitpick is more than her friends, while entertaining, felt a bit one-dimensional, but again, everyone was shut aside because this was Evie’s story. Not theirs. Even son, Evie’s Dad and Mom did have some great chapters that added insight to how they’re dealing with the divorce and add to Evie’s revelation about the importance of love even if love ends in heartbreak.
Another thing I enjoyed out of the book is that Yoon sidesteps the chapters focusing on minor characters or events that were present in The Sun is Also a Star, and Everything, Everything. This was purely focused on Evie and I think helped keep the narrative centered on her, her thoughts and reactions and how they shape her perspective.
It’s a light, thoughtful read that has nice moments of humor with lots of character development for Evie. Perfect for any romantic readers who want to remember why love is so important, and how scary, crazy, beautiful, uncertain, worth it, it is.
4 stars.
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Ranking The Wedgeford Trials

Courtney Milan does it again! I wrote in my ranking for Milan’s Turner trilogy that Milan is a rare romance author who nixes the miscommunication trope that plague so many couples. Rather she subverts the status quo and has the couple communicate like mature adults while maintaining the suspense of internal/external forces threatening their coupledom. It can be done without making them idiots! And she does it again here in her Wedgeford Trials trilogy. Wedgeford is a small, forgettable village where England’s oriental community gravitate to be able to forget their pasts, and a safe haven from a prejudicial society.
But for such a small village, there are quite a few secrets and nobles abounding.
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Speak Review

The first ten lies they tell you in high school.
“Speak up for yourself—we want to know what you have to say.”
From the first moment of her freshman year at Merryweather High, Melinda knows this is a big fat lie, part of the nonsense of high school. She is friendless, outcast, because she busted an end-of-summer party by calling the cops, so now nobody will talk to her, let alone listen to her. As time passes, she becomes increasingly isolated and practically stops talking altogether.
Ah yes, the award-winning and multi-banned book (those two often go hand in hand), since it’s so famous, I had to read, and see if it’s as impactful as everyone says. Although I think it’s famous enough that people have a general idea of what it’s about, I’m still keeping this spoiler-free for those who haven’t and will not spill what the secret trauma is.
It’s a short book, being only 200 pages, but I’d say the second half was more impactful than the second half. The first 100 pages go through Melinda’s first two academic quarters where she maintains a cynical, deflated tone that is reminiscent of the early 2000s teen ennui. Everyone is a poser, parents don’t get it, reality tv bites, etc. Of course, one is more sympathetic to Melinda’s POV after they find out her secret, and her depressive personality is a result of trauma rather than edgy teen angst. But it does make the story drag much like how life seems to drag for Melinda.
When Melinda finally comes to terms herself with what happened to her, the language and imagery becomes more raw, and speak to the scars Melinda is dealing with. It didn’t only change her physically, but emotionally, mentally, and it just seems no one will care if she does tell.
Nonetheless, I wish we got more insight to how Melinda was before IT happened so readers might have a comparison to how much it impacted her life into a line of BEFORE and AFTER. Perhaps this is because I already knew the secret thus it was not a shock like it must have been back in 1999 to discuss such topics, and left me wanting more from the narrative when it came to her healing arc.
Nonetheless, it’s thoughtful and poignant in detailing what depression and trauma is like, so others may feel like they’re not alone in reacting this way after an event like this happens.
4 stars.



