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Ranking Heather Wells Mysteries

An expy of Britney Spears, Heather Wells is a teen pop has-been. Her long-time boyfriend infamously cheated on her with the newest sensation, Tania Trace, her label dumped her for wanting to write her own songs, her father’s in jail for tax fraud and her mother ran off with her money and her manager. Now she works at a college dorm and lives under the rent of PI and crush, Cooper Cartwright (brother to said boy band ex, drama!). And her job is a little more difficult than stopping beer pong.
As usual, Cabot has her humor and charm as Heather Wells somewhat cynically navigates her new existence. Her trauma of being abandoned and ripped off so many times transferring to fierce protectiveness over the kids who live in her dorm. Plus the eventual relationship she shares with Cooper is sweet too. It’s refreshingly mature as they’re too adults in a relationship and not overgrown teenagers with communication issues. It allows for Cabot to get to the good stuff- murder and college politics. So here’s my rankings for the series.
- Size 12 and Ready to Rock: This is one of Cabot’s more serious novels dealing with grooming, domestic abuse and infertility issues, and I think Cabot knocks it out of the park. Yes, there’s the classic Cabot humor with its bratty teen campers and Heather’s ex being. . . being himself. But I think it’s because of those funny. crazy hijinks, it makes the serious moments more poignant. We get to see the full extent of Heather’s compassion when she listens to Tania’s story, reaching a new sense of understanding and forgiveness. Also she finally gains a sane boss and learns how to shoot.
- Size 12 is not Fat: Maybe it’s nostalgia that gets this high up there as the story is a bit predictable. But Cabot managed the rare feat of introducing characters and the main themes of the series without making it feel boring or exposition-y. Plus I admire how the culprit represents a foil to Heather and her problems. Or at least what society perceives as her main problems-her weight and single status.
- The Bride Wore Size 12: A fitting conclusion as the most romantic (not necessarily of Cooper and Heather) and intense story in the series. There’s some full circle moments and we get to see Heather confront her biggest unresolved issue-her mother. However, I put it in the middle as I feel like Sarah (Heather’s opinionated RA) gets put on the backburner with a pat ending. Nor did I enjoy the final twist murderer much.
- Big Boned: One of the more interesting, and surprising mysteries, but I found the conflict of everyone jumping on the idea that Tad was going to propose to Heather to be a stretch in miscommunication and a weak running gag.
- Size 14 is Not Fat Either: It’s not the worst in the series. Cabot’s style and quality remains consistent. I just feel evil frats has been overdone.
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Silverhawks: Wings of War Review

A NEW STORY ARC BEGINS WITH THE GALAXY’S GREATEST HEIST!
Rebuilding a criminal empire doesn’t come cheap, and Mon*Star needs a big score to keep the credits flowing – the bigger, the better. There’s only one target that really fits the bill: the treasury planet, Dolar!
If the resurgent mobster can pull it off, he’ll have enough cash to cement his stranglehold on Limbo forever – and Commander Stargazer is determined to prevent that at any cost. But will his untested new SilverHawks be able to stand up to Mon*Star’s onslaught?
Find out as ED BRISSON and GEORGE KAMBADAIS’s celebrated series kicks off its second story arc in SilverHawks #6 – featuring cybernetically enhanced covers from JAE LEE & JUNE CHUNG, JAMES STOKOE, GERALDO BORGES, DREW MOSS, LESLEY “LEIRIX” LI, MANIX, and DAVID COUSENS!As I hoped, volume 2 was an improvement. Grappling with the murders of Grey, Sparrow and Redtail, we get some more emotional weight. I may not be saddened by the death of the old guard, but I could connect with the conversations the characters had with each other. Like Osprey confiding with Quicksilver that she had thought she known grief and anger in dealing with Mon*star’s massacres. It was different because she never personally knew Mon*star’s victims. This is different, and it’s like a black hole of grief.
Just as it’s different for Stargazer to send up the new Silverhawks whom he’s scared he’s sending to their deaths, but he can’t show his fear or his grief because he needs to be the leader. However, a leader also has to show that he cares, Osprey reminds him. That one conversation showcased the decades of friendship they shared and really humanized them.
Additionally, the conversation between Bluegrass and Hotwing about revenge and pacifism was also meaningful albeit predictable covering similar beats in most kid’s cartoons. But all these conversations went a long way in showing the humanity of these characters and the universal emotions readers can relate with-grief, doubt, anger, hope. Great job from Brisson.
As for the plot, he ably balanced escalating the Mon*star’s threat with a Plague device with the threat of a third party seeking to murder Mon*star and any innocent that gets in his way. I was right predicting there was another antagonist more cunning than Mon*star waiting to attack, but I was disappointed by the resolution of that choice. Spoilers below
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Silverhawks: Partly Metal, Partly Real Review

Recruited from every corner of known space by the Federal Interplanetary Force, the SilverHawks were engineered to be the first line of defense against Limbo’s ruthless agents of chaos.
In the nearby galaxy of Limbo, the deadly mob boss Mon*Star has escaped from his confinement on Penal Planet 10 — and he’s looking to take revenge on everyone who put him there! At the top of that list is Commander Stargazer, the grizzled space cop who personally took Mon*Star down the last time he went on a rampage. To recapture Mon*Star and his gang of super-criminal associates, Stargazer must put his retirement on hold and assemble a new team of his famed bionically enhanced law enforcers — the SilverHawks!
Recruited from every corner of known space by the Federal Interplanetary Force, the SilverHawks were engineered to be the first line of defense against Limbo’s ruthless agents of chaos. But during Mon*Star’s long incarceration, the program went dormant, and its state-of-the-art tech has drifted towards obsolescence. Now, as they take on the galaxy’s deadliest lawbreakers, Stargazer’s new team of untested cyborgs — including Quicksilver, Bluegrass, Hotwing, Steelwill, Steelheart, and The Copper Kidd — will face the ultimate trial by fire!
Rising star writer ED BRISSON (ThunderCats: Apex, The Uncanny X-Men) and acclaimed artist GEORGE KAMBADAIS (Gargoyles, Hercules) open up an all-new entry in the FIF’s legendary case files with SilverHawks #1.
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Thundercats: New Age Review

Technically volume five hasn’t been released yet, so I’m giving my own title to #21-25, and a lot of lore has been dropped. See description for #21.
In this issue: Lion-O returns to the Cats’ Lair to reclaim his leadership over the ThunderCats! Visibly older and wiser, the now-seasoned ruler carries himself with a new air of authority – something that puts him on a collision course with Apex’s mysterious plans!
That only covers #21 which nicely wraps up the Terminator-esque/Apex arc and sets up a new status quo for Lion-O’s leadership style. While his time away has given him new wisdom, Moss/Shalvey leave an undercurrent of unease. For as much wisdom he gained alone, it doesn’t translate well when he’s back with the team. You know, actually leading the people.
He still has his selfishness and his childish anger whenever he finds out he’s the last to know Jaga’s secret agenda. You’re left wondering if maybe Apex had a point that Lion-O’s fate is inevitable and he’s on the road to become the monstrous brute Apex is.
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Thoughts on Poetry

Well, it’s National Poetry Month. I think it’s obvious from a perusal of my blog that I don’t read poetry much. It’s too empheral for me who likes to grasp themes and character arcs rather than F E E L I N G S. I know books are subjective, but poems feel even more so as it’s based on the poet’s thoughts and feelings. Unless the narrator is a character, it feels like you have to have firsthand knowledge of the poet to parse out what they’re trying to convey.
Then they start using metaphors, and yes, I’m still bitter about the time I got a B on English essay because “the moon” in the poem was supposed to represent the Big Ben. Like how was I supposed to know it was set specifically in London? And why refer to the clock as the moon when the moon already exist. Ugh, it just frustrates me to no end. The only poetry I can understand is the one for children like Dr. Seuss or insta poets like Rupi Kaur.
So what do you think of poetry? Beautiful in its own way? Most difficult part of English class? Is there a divide between poet-lovers and book lovers or are there more overlap than I’ve seen?
Comment below!




