• Bold, Brilliant, and Latine & Leyendas

    Bold, Brilliant, and Latine by Alyssa Reynoso-Morris and illustrated by Sol Cotti

    For the lower school set as it gives one page biographies of each Latino with emphasis on how they were a role model, and that kids can be like them too. 

    It has several well-known figures like Lin Manuel Miranda, Rita Moreno, Gabriel Mistral, Jenna Ortega, Frida Khalo, the Mirabal Sisters, Oscar De La Renta, Carolina Herrera, Marco Molina, Roberto Clemente, Rigoberta Menchúand so on. 

    But also introduced some new figures I haven’t heard of too. For example, Francisco Morazán, a politician from Honduras. In fact, in the mid 1800s, Nicaragua, Honduras, Costa Rica, El Salvador, Guatemala, Belize and Chiapas of Mexico was united in the Federal Republic of Central America, and he was president. He limited the power of the church, authorized divorces, legalized homosexuality and other reforms before they were rescinded when each became its own states. 

    Matilda Hidalgo was the first woman in Ecuador to vote. Scratch that, first woman in all of South America to vote, ushering female suffrage in Ecuador, and made many other firsts as first female doctor, first female Council member and so on. 

    Mario Vargas Llosa, Peruvian Nobel prize winner in literature for his magical realism novels, The Green House and The Time of the Hero

    Óscar Arias Sánchez, humanitarian and president of Costa Rica who kept peace in the region, diversifying its economy and winning the Nobel Peace Prize for ending foreign interference in the Cold War. 

    Evelyn Cisneros, first Latina prima ballerina in the San Francisco Ballet.

    Francia Márquez, an Afro-Columbian activist who became VP of the country.

    It covers a lot of people that if you’re a little versed in Latin American role models, you’ll already know, but it’s good for kids who are just learning. The art reflects that with a vibrant palette. But I still don’t get why Cotti made Rita Moreno blonde. She was never blonde in any of her roles.

    Leyendas by Mónica Mancillas and illustrated by Isadora Zeferino

    Since it has sixty rather than fifty two people, there is bound to be some overlap, but it did not stick to the usual historical figures. Rather it nicely balanced historical and contemporary, and was more in depth for the middle school crowd. Plus I like Zeferino’s art style more with its full colored lines.

    While it has the usual suspects like Luis von Ahn, Celia Cruz, Mario Molina, Eva Peron, it has some fascinating underrated role models too.

    Berta Cáceras, an Honduran indigenous activist who fought against the DESNA mining corporation, and was murdered for it. But for once, justice was served as her death led to the dissolution of the illegal dam/mine and the seven executives being convicted of her murder.

    Máxima Acuña de Chuepe, another activist for Peruvian farmers against illegal mining whose case set precedent against corporate greed.

    Jharrel Jerome, the first Dominican to win an Emmy for When They See Us, right after his star-making debut in the Oscar-winning Moonlight.

    Maria Bueno, the Swallow of Sao Paulo who was basically the Serena Williams of the

    Jean-Michael Basquiat was a Puerto Rican-Haitian artist who was basically the Andy Warhol of his day. Actually he was praised by Andy Warhol who admired his edgy, anti-establishment artistry.

    Wilfredo Lam, a Chinese-Afro Cuban artist that brought African influences into his art, and into the Western world.

    Walter Mercado, a Puerto Rican television personality who was the first person to have a show devoted to astrology, running for over 15 years.

    Florentine López de Jesús, artisan of the Amzugo weaving style who revitalized and popularized her tribe’s art as part of Mexico’s cultural heritage.

    Ruben Vives, the journalist that broke the Bell city corruption scandal and won the Pulitzer Prize for Public Service.

    Both books have role models from almost every country in South America. Except poor Nicaragua and Uruguay. Surely, there must be some notable Nicaraguans and Uruguayans. Both books also have at least one Haitian role model which was surprising to me since I didn’t think Haitians were considered Latine since it was conquered by France and have lots of French roots as a result. Sure, it’s next to the Dominican Republic so perhaps there’s some crossover but I didn’t know it was a thing.

    Nonetheless, both books will be a nice addition to any classroom.

  • A Showgirl’s Rules For Falling in Love Review

    It’s 1897, and a new fashion for thin threatens to end the career of proudly fat vaudeville performer Evelyn Cross. Enter Thomas Gallier, the man behind the new palace of entertainment promising to be the apex of New York City’s theatrical scene. He’s in search of a star for his vaudeville spectacular, and when he hears Evelyn sing, he knows exactly who he needs to grace his stage.
     
    In a grand finale, present-day narrator Phoebe steps in to reveal secrets and show readers what it really means to claim self-love. Inspired by the true story of a Progressive Era troop of plus-size dancers, this is a story about the spirit of community and the power of romance.

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  • Say a Little Prayer Review

    Riley quietly left church a year ago when she realized there was no place for a bi girl in her congregation. But it wasn’t until the pastor shunned her older sister for getting an abortion that she really wanted to burn it all down.

    It’s just her luck, then, that she’s sent to the principal’s office for slapping a girl talking smack about her sister—and in order to avoid suspension, she has to spend spring break at church camp. The only saving grace is that she’ll be there with her best friend, Julia. Even if Julia’s dad is the pastor. And he’s in charge of camp. But Riley won’t let a technicality like “repenting” get in the way of her true mission. Instead of spending the week embracing the seven heavenly virtues, she decides to commit all seven deadly sins. If she can show the other campers that sometimes being a little bad is for the greater good, she could start a righteous revolution! What could possibly go wrong? Aside from falling for the pastor’s daughter . . .

    First off, this book has a great sense of humor. Not only from the title, but from the chapter titles as well. Which is good because the protagonist, Riley oscillates between anger, and humor, or snark to be more accurate, and the humor makes her more palatable.

    Not that she doesn’t have something to be angry about with the treatment of her older sister, Hannah. Literally called out and shunned by their church, Riley is a good sister who cares to stand up for Hannah, and against hypocrisy, but there is a little more to it than that.

    I think readers will figure out pretty quickly that the source of Riley’s anger is not just the church’s hypocrisy about her sister, but their homophobic attitudes. While she doesn’t hide her bisexuality exactly, she knows being out and proud about it will make people look at her differently. Make her ashamed, and she hates that. They’ve already ruined her relationship with God, and so she lashes out former friends in a way of hurting them first.

    It was interesting to see Riley grapple with religion, and what it means to people. It has been ruined for her, but there are some bright spots as she talks t others and realize how so much of the shunning stems from people’s fear of being shunned too. Which only makes her more determined to expose the Pastor as a hypocrite and break the idolatrous hold he has over the town.

    At points the Pastor seems too villainous, then again, I don’t live in the deep South so maybe pastors are just like that. Other characters are given a decent amount of depth as part of Riley’s growth is learning that not everyone is as shitty as they first appear. Hannah gets the best moment with their sister-sister talks that she doesn’t need a defender as much as Riley seems to think.

    As for Riley’s relationship with Julia, eh. I know most YAs need romance on the side, but I wasn’t feeling it. Julia is so repressed and religious it’s hard for me to believe that she won’t need more time to be comfortable with being a lesbian. And I’m not sure Riley would have the patience to deal with that especially with how negatively she feels about Julia’s father, and religion in general. The big gesture was great, but it felt more like a Maybe Ever After, not HEA. I think I would have liked it more if it focused as a coming of age, teen exploration of what religion means for her rather than the rom-com it was promoted.

    3 stars.

  • Twisted Tales: How Far I’ll Go Review

    What if Moana broke the heart of Te Fiti?

    After a devastating battle with Te Kā, Moana’s worst fears are realized: the heart of Te Fiti is in ruins, Maui is frozen in volcanic rock, and darkness threatens to envelop her beloved home. Desperate to fix things, Moana stumbles upon an island already crumbling under the blight. All life is gone, save one sole survivor—a young woman named Noe.

    Moana is relieved to find another wayfarer, even if this stranger is more than a little intimidating. Better still, Noe has an idea how to fix the heart: using the tears of Te Fiti, gems infused with the goddess’s essence. The catch? The tears are said to be scattered throughout the realm of monsters.

    Banded together, Moana and Noe set a course for an impossible mission to find the powerful lost tears. Will Moana be able to restore the heart amid secrets and monsters? Or will the blight overtake everything Moana holds dear?

    A new author has joined the ranks of the Twisted Tales stable, and she did a great job in my opinion. Much like Lim’s Reflection, Kendall takes a turning point in the movie and has the result be a failure. Instead of returning the heart of Te Fiti, it was crushed by the volcanic hand of Te Ka. Now Maui’s stone, and Moana is cursed by Te Ka’s blight crawling up her arm. Which her grandmother tells her she has to get Te Fiti’s tears from Lalotai, the realm of monsters, in order to purify the heart.

    Unlike Mulan’s journey to Diyu, Moana is not faced with mirrors reflecting her inner conflict. Rather her partner into Lalotai is Noe, the last surviving warrior of an island killed by blight. Her competence with the spear, knowledge of the ancestors’ stories and mythology, and unflinching determination sparks Moana’s imposter syndrome. The guilt of seeing Maui turned to stone due to her actions, and the ocean no longer responding to her leads to the repeated doubt-“The ocean chose wrong.”

    This is amplified as the journey goes on. Her compassion for the monsters they encounter, and must defeat is derided by Noe, and by the monsters themselves. She doesn’t seize opportunity, and the more she doubts, the more she flinches away, creating a cycle. Then there’s her curse that keeps a suspenseful ticking clock throughout the novel. Although there are some points where I think she messes up at how far along the curse has gone, she kept the continuity pretty tight for 400 pages.

    Lalotai’s monsters and obstacles are quite descriptive, and Kendall immerses readers into the realm. It plays out like a movie. The setting, and the fight scenes, and the spirits are easy to picture in one’s head. My one disappointment is that no mud walkers appeared. She even has some of Moana’s deadpan humor in there too.

    Now spoilers are under the cut.

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  • Book of the Month: Duke I Tempted

    Having overcome financial ruin and redeemed his family name to become the most legendary investor in London, the Duke of Westmead needs to secure his holdings by producing an heir. Which means he must find a wife who won’t discover his secret craving to spend his nights on his knees—or make demands on his long scarred-over heart.

    Poppy Cavendish is not that type of woman. An ambitious self-taught botanist designing the garden ballroom in which Westmead plans to woo a bride, Poppy has struggled against convention all her life to secure her hard-won independence. She wants the capital to expand her exotic nursery business—not a husband.

    But there is something so compelling about Westmead, with his starchy bearing and impossibly kind eyes—that when an accidental scandal makes marriage to the duke the only means to save her nursery, Poppy worries she wants more than the title he is offering. The arrangement is meant to be just business. A greenhouse for an heir. But Poppy yearns to unravel her husband’s secrets—and to tempt the duke to risk his heart.

    I had told my friend that this is different from Bridgerton, and better because (than the first one at least) because the characters act more like adults. For some reason she thought this would make it more like Austen.

    If you’ve read Peckham’s work, you know, it’s more like Fifty Shades of Grey. But that thinking is on her. I made no mention of it being like Austen.

    Nonetheless, she enjoyed Poppy the most, especially as they both have an affinity for plants. Plus one has to admire that after their fight, Poppy brushed herself off, thought she deserved better and followed through in leaving Westmead for a month.

    We both agree that the ending felt a bit rushed compared to the character work of the rest of the book. Still it was engaging. She prefers the Viscount Who Loved Me more though.

    Anyway, after all this romance we’re going back to a classic murder mystery with The Blackbird Murders.

  • Stars, Saddles and Stripes

    This short-lived series by Deborah Kent caught my eye from the cover alone. In real life, the title is with gilt, and the hardback cover makes it feel sturdy and luxurious. The semi-realistic illustration just adds to it.

    The stories are good too, getting the balance between horse girls and historical fiction. Each one have their unbreakable bond with their horse (a different breed in each), yet the girls are distinct. Eliza On Edge of Revolution is uncertain of where she stands with the impending revolution. She is more concerned with loyalty and not making waves until she sees for herself how the British have no respect for the colonials and that having a voice is sometimes more important than freedom.

    Jacqueline, on the other hand, is impulsive yet sheltered, and it is only in her journey back to her plantation that she realizes the unspoken reason for going to war may not be so justified after all.

    Both of these protagonists start on what readers think of as the wrong side of the war (the British or the Confederacy) and in befriending the other side, they become turned to the cause. By degrees, while Eliza and her family is all in on joining the rebels, Jacqueline’s stance is more unclear. She is willing to cover her new friends (and former slaves) flight to freedom, but she will have to navigate the uncomfortable awareness that her family deals in slaves and will not be happy to see her treating them as equals or granting them rights.

    Meanwhile, the protagonists in the next two books are more of the underdogs.

    Erika in Blackwater Creek faces prejudice as a Hungarian during the days of the Gold Rush. Her father and older brother are off digging for gold and she has to work for the bigoted rancher, Hart Waltham who is always threatening to evict them. Meanwhile, Lexi in Riding the Pony Express is half-Arapaho. She’s white-passing, but has to hear comments deriding her more obvious indigenous brother, and those wanting to civilize her by sending her to the East so her “bad blood” won’t wild her up. In dealing with missing parental figures, they’re more self-reliant and clever when bigger men have them cornered and allows for some clever escapes and solutions.

    I enjoyed the relative historical accuracy Kent has in these novels. She ably portrays both sides of the historic conflicts and the reasons/perceptions each side had of the other nor does she shy away from the prejudices and the fact that some people will always remain bigoted.

    A Chance of a Lifetime, and Riding on the Pony Express are probably the most heart-pounding books as Kent keeps the readers on the edge with what might happen next. Blackwater Creek felt a bit aimless in the middle and is liable to make younger readers lose attention.

    Too bad the series only has four books. But I have a feeling it would come across the same problem the Horse Diaries series has in that the historic events for horses kinda stop by the 1920s when automobiles hit the scene. Thus the reason while #2-4 crowd around the 1850-60s era. Nonetheless, they were enjoyable and kids who like horses may get a dip into the historical fiction genre. Or just stare at the covers, they are so good.

  • The Hex Girls: A Rogue Thorn Review

    Coolsville is shaken up when eco-goth band The Hex Girls move to town. Teenagers Thorn, Luna, and Dusk are looking for a fresh start for themselves and their band after the disastrous events that destroyed their hometown and Thorn’s reputation. But things take a turn for the worse when a mysterious mist starts killing crops and making people sick wherever Thorn goes. She quickly becomes the town’s prime suspect and is outcast once again.

    As her band falls apart, Thorn turns to the Mystery Inc. gang, especially Velma, for help as they try to solve the mystery and prove Thorn’s innocence. While the gang thinks that Thorn’s magical powers are the key to stopping the growing threat to Coolsville, Thorn is sure magic will only bring more harm than good—and that revealing her true nature would make her an outsider forever. Can they solve the mystery and save Coolsville before someone gets seriously hurt. . . or worse?

    Since corporate Warner Bros doesn’t know a good thing when they have it, we have no Hex Girls movie.

    But Lily Meade’s book more than makes up for that travesty!

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  • Book Highlight: Legendary Frybread Drive-In

    The road to Sandy June’s Legendary Frybread Drive-In slips through every rez and alongside every urban Native hangout. The menu offers a rotating feast, including traditional eats and tasty snacks. But Sandy June’s serves up more than it hosts live music, movie nights, unexpected family reunions, love long lost, and love found again.

    That big green-and-gold neon sign beckons to teens of every tribal Nation, often when they need it most.

    This was a fun anthology that captures the universality of growing up, with cultural specificity of being native in America.

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  • Ranking Medicine Men

    I was determined this year to find one indigenous historical romance written by an indigenous author from this century, and I found one. One! It’s a shame that it was less than stellar. It may be due to self-publishing so Kay didn’t have multiple eyes looking through the final product, and she’s relying on tropes she written back in the 90s, but I found it dull.

    The writing can get repetitive (think “You Tarzan, me Jane” sort of thing), or purple prose, the characters don’t have much going outside of their romance (they have no hobbies or interests or interactions with people outside their immediate family), and five variations of white woman falling in love and fitting into the Pikuni tribe got old.

    And I know it’s historical fiction, so there must be some suspension of belief, but when they have characters using lightning to strike a snake or share telepathy with each other (called mind-speak) I could not get past it. I know some tribes believed they had a connection with animals and could communicate with them, but never so far as telepathy. And they didn’t have telepathy with random white women to make up for the fact they didn’t speak the same language. I just couldn’t get over that.

    Which is a shame because Kay does talk about her research in her notes like the common Plains Native sign language tribes shared even when they didn’t have the same verbal language, and incorporating myths about the Little People, the Big People, and such.

    Like a said, a shame since there are no historical indigenous romances. Most I’ve found are from the 90s, written mainly by white women, and presumably very fetishized and inaccurate. Since there is the rise of several indigenous authors (Danica Neva, Sheri Whitefeather, Robin Covington) writing contemporary romance, maybe someday someone will venture into the historical romance genre.

    Now onto the rankings.

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  • This is Why They Hate Us Review

    Enrique “Quique” Luna has one goal this summer—get over his crush on Saleem Kanazi by pursuing his other romantic prospects. Never mind that he’s only out to his best friend, Fabiola. Never mind that he has absolutely zero game. And definitely forget the fact that good and kind and, not to mention, beautiful Saleem is leaving L.A. for the summer to meet a girl his parents are trying to set him up with.

    Luckily, Quique’s prospects are each intriguing in their own ways. There’s stoner-jock Tyler Montana, who might be just as interested in Fabiola as he is in Quique; straight-laced senior class president, Ziggy Jackson; and Manny Zuniga, who keeps looking at Quique like he’s carne asada fresh off the grill. With all these choices, Quique is sure to forget about Saleem in no time.

    But as the summer heats up and his deep-seated fears and anxieties boil over, Quique soon realizes that getting over one guy by getting under a bunch of others may not have been the best laid plan and living his truth can come at a high cost.

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