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Ranking The Rajes

Dev brings a new spin to Austen’s famous works with her Rajes series, focusing on a formerly royal family settled in California as the hard-working new generation navigate social class nuances, chasing their dreams amid family pressures and expectations and of course, find love. For as Dev wrote in her author’s note for The Emma Project, Austen’s themes are still so relevant today:
Social class and prejudice is still important, being persuaded to give up dreams because they’re not ambitious enough, getting stuck between family expectation and your own dreams. All these are relevant in the modern day as she takes these subjects that Austen touched centuries ago and forges her own path to answer these questions. It’s a really wonderful series that not only delivers the happily ever afters but intergenerational family bonds and backstories too.
1. The Emma Project: This may just be my favorite because I enjoyed the personal baggage both Vanesh and Naina had to work through to realize what they have together is real, and mor eimportantly, that they bring out the best in each other.
The last Raje, Vansh also called Baby Prince has earned his nickname. He is a problem-solver, andoptimist. He has the Raje trait of trying to make things better for people, working on various organizations to help those without. He is upright in that he is willing to take responsibility even for things that aren’t his fault. But because of his status as the youngest and because sof his more social skills than book skills (possibly dysxlexia), he feels that he has been coddled by his family. He fears that he is babied because they secretly or at least unconsciously see him as “stupid”. So he thinks his new project, one meant to help the homeless will help prove to them and himself that he is capable.
Now, Knightlina or “Naina” as she prefers to be called is extremely copetent. She has to be to head up organization in Nepal and other places to help underserved women. Also to make up for her father’s disbelief in her capabailities. Though after all these years, she has realized that will never happen. He thinks she’s only worth something if she can get married well, a sentiment echoed by her mother who wants Naina to get back with Yash. Naina can’t do that obviously as their relationship had been a sham arrangement all along but she most certainly can’t get with Vanesh either. He’s Yash’s brother, he’s twelve years younger, she has literally seen him in diapers!
But now they’re working closely together as millionaire Jiggy will only fund her organization with Vanesh’s name at the helm. She is a bit rankled that Vanesh doesn’t realize how easily he got the job without any qualifications to back him up or that his initial optimism makes him oblivious to that he’s being used for his name. Vanesh is more than insulted that she calls his choice to help the homeless a “Emma project,” something idealistic and unfeasible and aims to prove her wrong.
That’s where the book gets very interesting balancing real concerns and policies about helping the homeless with steamy workplace tension as both struggle to ignore their feelings. Their time spent together also forces them to confront their personal flaws with Vanesh learning adminstrative side to creating a foundation. Also his personal projection, feeling that those who have been coddled just need a push to prove themselve doesn’t always work as with the case of the really talented, yet anxious Hari.
Naina is dealing with her own issues as she longs for the family closeness of the Rajes but also feels uncomfortable with it. It doesn’t help that they’ve been given her a wide berth since her break up with Yash. But more that that, she has to get root of the issue with her estranged adultification relationship with her mother that makes her feel unbearably guilty yet degraded her self esteem everytime they talk. Together, they help challemge those conceptions of themselves.
Plus, the Rajes’ eldest cousin Esha finds her own romance with Sid giving more backstory to the family’s clairvoyant and a true full circle feeling as everyone finds someone they love.
The only thing I wish was explored more was the rajes’ hypocrisy regarding naina and Vanesh. They claim they felt it was wrong because of the twelve year age difference but I feel like there were some leftover baggage from the Yash/Naina split that didn’t get to be explored.
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Cursed Review

Cursed starts right where the action left on, the stakes high as Serilda submitted to the Erlking’s proposal, become his wife, pretend her unborn child is his and obey almost all his wishes until Percheta returns. Then he could gift his evil huntress Serilda’s baby and dispose of Serilda herself. It will all be worth it to save the five ghost children she had unwittingly led to Erlking’s sights.
But Serilda is more than a mortal, she is the godchild of Wyrdith and with Gild by her side, they are determined to find their original bodies and break the curse before Erlking can wreck havoc on the world with his dark ones and his queen.
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Ranking the Women Who Dare

1. Wild Rain: Jenkins’ admits this is her first book with a cinnamon roll hero and as someone who has a weakness for that kind of man, this one comes first as Garret’s kind ways soothes the independent (and hurt) spirit of Spring Lee when he comes to her small Wyoming town of Paradise.
This is a quiet book befitting its setting in the pristine west before industrialization. While trains and lumber mills may be approching, Paradise still stands with its beautuous mountain view and spring rains in a town whose members care for each other for the most part. This landscape beauty helps to encourage the character companionship Spring and Garret share when Garret’s bruised knee leads him to staying at Spring’s place for a spell.
See, Garret McCray is a “city” man from Seattle come to interview Spring’s brother, Colton about being one of the few colored doctors in the West. He also comes to learn about the whole town and its residents including the despicable Mitch Ketchum whose harrasment of Spring will not be abated and whose partnership with a smarmy banker only spells trouble. It’s a conflict between the industrializing East and the once peaceful West as more Natives are being kicked off their land and the colored race start to wonder if the segregationist practices and prejudices will soon arrive to the territories.
It is because of Mitch and his father that Spring remains so guarded. She believes all she needs is respect for herself, her family and her homestead but Garret’s kindness, his respect, just his decency has her rethinking her stance of bachelorettehood. As she muses, meeting Garret has changed her. Not to a better person but a different one but she was okay with that because it has allowed her to be open with her feelings in a way she hadn’t been able to do so before.
What makes this one my favorite of the trilogy is how there is more external obstacles rather than the classic case of communication issues holding these characters back. There are internal issues as well, especially for Spring and her estrangement with her grandfather, Ben but that only makes the moments of trust and communication between them more meaningful.
Plus Jenkins doesn’t skimp in creating an interesting backstory for both, having Garrett come from escaping slavery which informs his familial background (especially his father, Hiram and their views when it comes to marriage) and allows Jenkins to seamlessly weave a historical lesson in the history of black naval men, sundown newspapers and lawyers. I enjoy the historical detail that makes the world more rich and teaches me something new but the history nerd in me sometimes wish Jenkins delved into things like sundown newspapers a bit more as I recall those were controversial in the day and subjected to violence and burning.
But on the subject of newspapers, Jenkins also touches on Native American bigotry as Garrett meeting Spring’s friend and business partner, Ed Prescott has him humbled that he ever believed the drival of “uncivilized savages”. She also hints at a compelling backstory and conflict of Ben and his Shoshone wife whom he drove away with his “civilizing” ways, another strike against him from Spring’s point of view.
With such a well-done couple of different backgrounds yet both have a hurt child carried within them bring light to each others’ lives, and a nice change of pace from drama of city society, this reached the number one spot for me.
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Thoughts on The Last Hours

As with The Eldest Curses, I can’t do a full trilogy overview with the third book coming out next year. But Idecided why not post this just to finish off the Shadowhunter Chronicles. it took 4 years but I finally did it! Anyway, here are my thoughts so far.
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Lev A.C. Rosen Interview

Lev is the author of Jack of Hearts, Camp and other books for all ages. Varying in genre, Rosen has been in the forefront of presenting queer stories post-coming out. When he’s not writing, he teaches creative writing at Gotham Writers Workshop. He kindly took the time to answer my questions about his work, inspiration, favorite musicals and upcoming books. Enjoy.
1. With the increase of book banning, how did you navigate your sex-positive book, Jack of Hearts involving consent, safety and education? It’s so realistic in acknowledging that teens have hookups and talk about sex, was there censorship or blowback?
So Jack of Hearts was released in 2018, and was written in 2017, ages before this new wave of book banning picked up. In fact, though Jack is, according to CBS, one of the top 50 most banned books in the country, no one even challenged it for the first few years it was out. It wasn’t until these dark money funded conservative groups decided books were the next place to try to abuse queer people – and queer kids in particular – that they were even aware of my book. So while I did expect some pushback, I didn’t really get any until recently. Since it started it’s been a bit bigger than I thought it would be originally. But again, that’s because of these conservative groups pushing their homophobic and puritan agenda.
2. You’ve talked about you want to write stories beyond the coming-out staple. What other stories are you planning to explore?
I think that coming out stories are important, and valuable to people, as what coming out is keeps changing, and especially when there are coming out stories from particular groups we haven’t seen yet, but as for writing them, I personally don’t have a big interest in them, at least not right now. I’m more interested in telling post-coming out stories that deal with the way queerness is treated when you are out. I don’t like the idea of coming out being an ending, so I focus on what queerness is afterwards.
As for stories I want to tell next, I have two more YA books coming out next year: Lion’s Legacy, and Emmett, and they’re both post-coming out stories, the first dealing with how queer history is erased and overlooked, and also how to deal with a parent who was great about your queerness, but maybe not great about other things. And Emmett is a modern queer retelling of Jane Austen’s Emma, with an emphasis on the messiness of how when you’re queer your best friends, casual hook-ups and significant others all come from the same pool, and often overlap, and how to manage all that. So they both absolutely still explore queerness.
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